Guenn Eona Nimue
May 26, 2011 7:29am
FAERIES - FAE - SIDHE - FAIRIES !
Google ANGLAMARKE for Guenn Eona Nimue's amazing view of Creation ! Angels, Gnomes, Dragons and a Rose Unicorn too !
Dame Guenn Eona Nimue is a psychic artist. She is in communication with all kinds of spirits, and she makes this communication real by painting pictures of the beings she sees.
Her work depicts beings of all shapes, sizes and origins: some from this universe and some from beyond. Her style is intricate and graceful. Each portrait is filled with information. Like tarot cards, the portraits seem to present something new with every viewing. Like fairy tales they stimulate the imagination and bring a sense of playful adventure to the possibilities of what this universe holds. The beings portrayed are new and yet somehow familiar. Each work is imbued with the energy of the being pictured and seems to act as a spirit introduction.
As a psychic, seeing her work was incredibly validating. It made some of my own experiences with beings suddenly seem very real.
Guenn Eona Nimue has been very much aware of her psychic abilities since 1968 when, as she describes it, she “woke up”. Until that point, although extremely sensitive and introverted, she was not aware of her ability to communicate with spirit. Her ability of clairsentience was so strong it was often difficult to be around people because she could feel everything that they felt. Books, music and artwork occupied her time. At the age of twenty-three she married, and for nineteen years continued to live in what she now calls a “dream-state”.
On September 4, 1968 she received word of her mother’s death. On September 8, she had her first dramatic spiritual experience. She describes this juncture in her life as being shocking in its suddenness, because there was no gentle, or gradual transition…. “My pineal center (at the brow in the sixth chakra) was opened fully…. Now being suddenly fully clairaudient, I would hear sometimes what seemed like thousands of voices in conjunction with continuing visions…. Many people have heard this phenomenon. Very often when someone passes who is dear to you it provokes a tremendous consciousness shift…. At that moment of awakening, I was as one being brought out of “death sleep”, and as blank of purpose as a newborn infant because all transformation prior to that had occurred on inner levels, with absolutely no conscious awareness as to what was happening to me”.
It was at this time and as a result of her mother’s passing that Dame Nimue learned the secret of her heritage. She is directly descended on her mother’s side from the Druids of Brittany, Wales and Scotland. The Druids are an ancient mystical order who communicate with spirits and practice healing arts. They were.... and are Nature Monitors. Power was passed from mother to daughter. Guenn was next in line after her mother to receive the Druidic abilities. When her mother died something triggered that information within Guenn and she began her conscious journey. Their heritage goes back thousands of years.
In 1980 she began automatic writing. According to Dame Nimue, she had cleared her energy channels enough to bring through some clear communication from the beings who had been talking to her for years. Later that year she began to paint the visions she saw. She described her visions as being like “giant, full color, Cinerama movies”.
At this point of learning to use and express this spiritual communication, Dame Nimue began to get a clearer picture of her life goal. She sees herself as a bridge between the material and non-material worlds. The gentle beauty of her artwork provides an alternative way to see the spirit world which is so often presented as threatening. She is enthusiastic about the future of the planet and enjoys her role here, “I think this is the beginning of the most wonderful, joyful time where we will have access to all the information which really is our knowledge.
According to Dame Nimue, “These beings work with electromagnetic and other energies to protect the continental land masses. They watch the flow of the land and of the planet…. the ley lines, the dragon paths, all the arterial energy lines. They watch the changing of the seasons and the frequency of the storms. They work to see that the harmony and balance of the planet is kept constant. Despite the earthquakes and other natural catastrophies we’re experiencing, the planet is meant to come through and become a Light World.... so theirs is a never ending task."
FROM AN ARTICLE IN THE
THE PSYCHIC READER
by Allison Hardymon
A fairy (also faery, faerie, fay, fae, wee folk, good folk, people of peace, fair folk, etc.) is a type of being or creature, a spirit, often described as metaphysical, supernatural or preternatural.
Fairies resemble various beings of other mythologies, though even folklore that uses the term fairy offers many definitions. Sometimes the term describes any magical creature, including goblins or gnomes: at other times, the term only describes a specific type of more ethereal creature.
The word fairy derives from Middle English faierie (also fayerye, feirie, fairie), a direct borrowing from Old French faerie (Modern French féerie) meaning the land, realm, or characteristic activity (i.e. enchantment) of the legendary people of folklore and romance called (in Old French) faie or fee (Modern French fée). This derived ultimately from Late Latin fata (one of the personified Fates, hence a guardian or tutelary spirit, hence a spirit in general), Italian fata, Spanish hada of the same origin.
Fata, although it became a feminine noun in the Romance languages, was originally the neuter plural ("the Fates") of fatum, past participle of the verb fari to speak, hence "thing spoken, decision, decree" or "prophetic declaration, prediction", hence "destiny, fate". It was used as the equivalent of the Greek Μοῖραι Moirai, the personified Fates who determined the course and ending of human life.
Faie became Modern English fay "a fairy"; the word is, however, rarely used, although it is well known as part of the name of the legendary sorceress Morgan le Fay of Arthurian legend. Faierie became fairy, but with that spelling now almost exclusively referring to one of the legendary people, with the same meaning as fay. In the sense "land where fairies dwell", the distinctive and archaic spellings Faery and Faerie are often used. Faery is also used in the sense of "a fairy", and the back-formation fae, as an equivalent or substitute for fay is now sometimes seen.
Fairies are generally described as human in appearance and having magical powers. Their origins are less clear in the folklore, being variously dead, or some form of demon, or a species completely independent of humans or angels. Folklorists have suggested that their actual origin lies in a conquered race living in hiding or in religious beliefs that lost currency with the advent of Christianity.These explanations are not necessarily incompatible, and they may be traceable to multiple sources.
Much of the folklore about fairies revolves around protection from their malice, by such means as cold iron (iron is like poison to fairies, and they will not go near it) or charms of rowan and herbs, or avoiding offense by shunning locations known to be theirs. In particular, folklore describes how to prevent the fairies from stealing babies and substituting changelings, and abducting older people as well. Many folktales are told of fairies, and they appear as characters in stories from medieval tales of chivalry, to Victorian fairy tales, and up to the present day in modern literature.
The Reverend Robert Kirk, Minister of the Parish of Aberfoyle, Stirling, Scotland, wrote in 1691:
"These Siths or Fairies they call Sleagh Maith or the Good People...are said to be of middle nature between Man and Angel, as were Daemons thought to be of old; of intelligent fluidous Spirits, and light changeable bodies (lyke those called Astral) somewhat of the nature of a condensed cloud, and best seen in twilight. These bodies be so pliable through the sublety of Spirits that agitate them, that they can make them appear or disappear at pleasure" - from The Secret Commonwealth of Elves, Fauns and Fairies
Although in modern culture they are often depicted as young, sometimes winged, humanoids of small stature, they originally were depicted much differently: tall, radiant, angelic beings or short, wizened trolls being some of the commonly mentioned. Diminutive fairies of one kind or another have been recorded for centuries, but occur alongside the human-sized beings; these have been depicted as ranging in size from very tiny up to the size of a human child. Even with these small fairies, however, their small size may be magically assumed rather than constant.
Wings, while common in Victorian and later artwork of fairies, are very rare in the folklore; even very small fairies flew with magic, sometimes flying on ragwort stems or the backs of birds. Nowadays, fairies are often depicted with ordinary insect wings or butterfly wings.
Various animals have also been described as fairies. Sometimes this is the result of shape shifting on part of the fairy, as in the case of the selkie (seal people); others, like the kelpie and various black dogs, appear to stay more constant in form.
In some folklore Fey have green eyes and often bite. Though they can confuse one with their words, fairies cannot lie. They hate being told 'thank you', as they see it as a sign as one forgetting the good deed done, and want something that'll guarantee remembrance.
One popular belief is that they were the dead. The northern English Cauld Lad of Hylton, though described as a murdered boy, is also described as a household sprite like a brownie, much of the time a Barghest or Elf. One tale recounted a man caught by the fairies, who found that whenever he looked steadily at one, the fairy was a dead neighbor of his.This was among the most common views expressed by those who believed in fairies, although many of the informants would express the view with some doubts.
In alchemy in particular they were regarded as elementals. This is uncommon in folklore, but accounts describing the fairies as "spirits of the air" have been found popularly.
One popular story held that when the angels revolted, God ordered the gates shut; those still in heaven remained angels, those in hell became devils, and those caught in between became fairies. Others held that they had been thrown out of heaven, not being good enough, but they were not evil enough for hell.This may explain the tradition that they had to pay a "teind" or tithe to Hell. As fallen angels, though not quite devils, they could be seen as subject of the Devil. For a similar concept in Persian mythology, see Peri.
Another belief was the fairies were demons entirely.This belief became much more popular with the growth of Puritanism. The hobgoblin, once a friendly household spirit, became a wicked goblin. Dealing with fairies was in some cases considered a form of witchcraft and punished as such in this era. Disassociating himself from such evils may be why Oberon, in A Midsummer Night's Dream, carefully observed that neither he nor his court feared the church bells.
The belief in their angelic nature was less common than that they were the dead, but still found popularity, especially in Theosophist circles. Informants who described their nature sometimes held aspects of both views, or observed that the matter was disputed.
A less-common belief was that the fairies were actually humans; one folktale recounts how a woman had hidden some of her children from God, and then looked for them in vain, because they had become the hidden people, the fairies. This is parallel to a more developed tale, of the origin of the Scandinavian huldra.
A story of the origin of fairies appears in a chapter about Peter Pan in J. M. Barrie's 1902 novel The Little White Bird, and was incorporated into his later works about the character.
Barrie wrote, "When the first baby laughed for the first time, his laugh broke into a million pieces, and they all went skipping about. That was the beginning of fairies."
Many of the Irish tales of the Tuatha Dé Danann refer to these beings as fairies, though in more ancient times they were regarded as Goddesses and Gods. The Tuatha Dé Danann were spoken of as having come from Islands in the north of the world, or, in other sources, from the sky. After being defeated in a series of battles with other Otherworldly beings, and then by the ancestors of the current Irish people, they were said to have withdrawn to the sídhe (fairy mounds), where they lived on in popular imagination as "fairies."
One common theme found among the Celtic nations describes a race of diminutive people who had been driven into hiding by invading humans. They came to be seen as another race, or possibly spirits, and were believed to live in an Otherworld that was variously described as existing underground, in hidden hills (many of which were ancient burial mounds), or across the Western Sea.
The Tuatha de Danaan are associated with several Otherworld realms including Ma Mell (the Pleasant Plain), Emain Ablach (the Fortress of Apples or the Land of Promise or the Isle of Women), and the Tir na nÓg (the Land of Youth).
The concept of the Otherworld is also associated with the Isle of Apples, known as Avalon in the Arthurian mythos (often equated with Ablach Emain). Here we find the Silver Bough that allowed a living mortal to enter and withdraw from the Otherworld or Land of the Gods. According to legend, the Fairy Queen sometimes offered the branch to worthy mortals, granting them safe passage and food during their stay.
Selkies, described in fairy tales as shapeshifting seal people, were attributed to memories of skin-clad "primitive" people traveling in kayaks.African pygmies were put forth as an example of a race that had previously existed over larger stretches of territory, but come to be scarce and semi-mythical with the passage of time and prominence of other tribes and races.
The fairies were originally worshiped as gods, but with the coming of Christianity, they lived on, in a dwindled state of power, in folk belief. In this particular time, fairies were reputed by the church as being 'evil' beings. Many beings who are described as deities in older tales are described as "fairies" in more recent writings. Victorian explanations of mythology, which accounted for all gods as metaphors for natural events that had come to be taken literally, explained them as metaphors for the night sky and stars.According to this theory, fairies are personified aspects of nature and deified abstract concepts such as ‘love’ and ‘victory’ in the pantheon of the particular form of animisticnature worship reconstructed as the religion of Ancient Western Europe.
The question as to the essential nature of fairies has been the topic of myths, stories, and scholarly papers for a very long time.
When considered as beings that a person might actually encounter, fairies were noted for their mischief and malice. Some pranks ascribed to them, such as tangling the hair of sleepers into "Elf-locks", stealing small items or leading a traveler astray, are generally harmless. But far more dangerous behaviors were also attributed to fairies. Any form of sudden death might stem from a fairy kidnapping, with the apparent corpse being a wooden stand-in with the appearance of the kidnapped person.
Consumption (tuberculosis) was sometimes blamed on the fairies forcing young men and women to dance at revels every night, causing them to waste away from lack of rest. Fairies riding domestic animals, such as cows or pigs or ducks, could cause paralysis or mysterious illnesses.
As a consequence, practical considerations of fairies have normally been advice on averting them. In terms of protective charms, cold iron is the most familiar, but other things are regarded as detrimental to the fairies: wearing clothing inside out, running water, bells (especially church bells), St. John's wort, and four-leaf clovers, among others. Some lore is contradictory, such as rowan trees in some tales being sacred to the fairies, and in other tales being protection against them. In Newfoundland folklore, the most popular type of fairy protection is bread, varying from stale bread to hard tack or a slice of fresh home-made bread. The belief that bread has some sort of special power is an ancient one. Bread is associated with the home and the hearth, as well as with industry and the taming of nature, and as such, seems to be disliked by some types of fairies. On the other hand, in much of the Celtic folklore, baked goods are a traditional offering to the folk, as are cream and butter.
The prototype of food, and therefore a symbol of life, bread was one of the commonest protections against fairies. Before going out into a fairy-haunted place, it was customary to put a piece of dry bread in one’s pocket.
Bells also have an ambiguous role; while they protect against fairies, the fairies riding on horseback — such as the fairy queen — often have bells on their harness. This may be a distinguishing trait between the Seelie Court from the Unseelie Court, such that fairies use them to protect themselves from more wicked members of their race. Another ambiguous piece of folklore revolves about poultry: a cock's crow drove away fairies, but other tales recount fairies keeping poultry.
In County Wexford, Ireland, in 1882, it was reported that “if an infant is carried out after dark a piece of bread is wrapped in its bib or dress, and this protects it from any witchcraft or evil.”
Locations such as fairy forts were left undisturbed; even cutting brush on fairy forts was reputed to be the death of those who performed the act. Fairy trees, such as thorn trees, were dangerous to chop down; one such tree was left alone in Scotland, though it prevented a road being widened for seventy years.Good house-keeping could keep brownies from spiteful actions, because if they did not think the house is clean enough, they pinched people in their sleep. Such water hags as Peg Powler and Jenny Greenteeth, prone to drowning people, could be avoided by avoiding the bodies of water they inhabit.
Other actions were believed to offend fairies. Brownies were known to be driven off by being given clothing, though some folktales recounted that they were offended by inferior quality of the garments given, and others merely stated it, some even recounting that the brownie was delighted with the gift and left with it. Other brownies left households or farms because they heard a complaint, or a compliment. People who saw the fairies were advised not to look closely, because they resented infringements on their privacy. The need to not offend them could lead to problems: one farmer found that fairies threshed his corn, but the threshing continued after all his corn was gone, and he concluded that they were stealing from his neighbors, leaving him the choice between offending them, dangerous in itself, and profiting by the theft.
Millers were thought by the Scots to be "no canny", owing to their ability to control the forces of nature, such as fire in the kiln, water in the burn, and for being able to set machinery a-whirring. Superstitious communities sometimes believed that the miller must be in league with the fairies. In Scotland, fairies were often mischievous and to be feared. No one dared to set foot in the mill or kiln at night as it was known that the fairies brought their corn to be milled after dark. So long as the locals believed this then the miller could sleep secure in the knowledge that his stores were not being robbed. John Fraser, the miller of Whitehill claimed to have hidden and watched the fairies trying unsuccessfully to work the mill. He said he decided to come out of hiding and help them, upon which one of the fairy women gave him a gowpen (double handful of meal) and told him to put it in his empty girnal (store), saying that the store would remain full for a long time, no matter how much he took out.
It is also believed that to know the name of a particular fairy could summon it to you and force it to do your bidding. The name could be used as an insult towards the fairy in question, but it could also rather contradictorily be used to grant powers and gifts to the user.
A considerable amount of lore about fairies revolves around changelings, fairy children left in the place of stolen human babies. Older people could also be abducted; a woman who had just given birth and had yet to be churched was considered to be in particular danger. A common thread in folklore is that eating the fairy food would trap the captive, as Persephone in Hades; this warning is often given to captives who escape by other people in the fairies' power, who are often described as captives who had eaten and so could not be freed. Folklore differed about the state of the captives, some held that they lived a merry life, others that they always pined for their old friends.
NOTICE TO READERS FROM THE EDITOR
This section of Anglamarke is not subject to copyright, nor was it written by Guenn Eona Nimue. It is information compiled (from Wikipedia) as a primer for those readers who are new to the Path to provide a brief overview of some of the subjects written about in a quick and easy reference format.
This post was modified by Guenn Eona Nimue on 2011-05-26 14:29:21